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"The Door To Doom", the 12th album from Swedish doom metal legends CANDLEMASS, can be streamed in its entirety below.Due on February 22 via Napalm Records, the disc unsurprisingly follows the.


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Candlemass - "The Door to Doom" full album Shiloh's Metal Crypt 36 subscribers Subscribe 165 5.9K views 2 years ago The Door to Doom was ia the 12 studio release from these swedish epic doom.


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We chat with Candlemass bassist, founding member, and primary songwriter Leif Edling about the doom outfit's 12th full-length album "The Door to Doom," out tomorrow.


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The Door to Doom, Candlemass's 12th studio album, is a stone-cold 10/10. The album is supremely gratifying from a variety of perspectives. First, The Door to Doom feels timeless and satisfying.


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The Door to Doom simply can't compete with the classic Candlemass back catalog. But it's a solid, listenable effort that's more than worth the price of admission, fronted by one of their best vocal performances in recent years. The Firepower of the modern Candlemass era still eludes Edling and company, but they aren't beaten yet.


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The Door to Doom is the twelfth studio album by Swedish doom metal band Candlemass, released on 22 February 2019 via Napalm. It is the band's first full-length studio album since 2012's Psalms for the Dead, marking their longest gap between studio albums, and the first one to feature vocalist Johan Längqvist since 1986's Epicus Doomicus Metallicus.


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The Door To Doom unsurprisingly follows the plotline mastermind, songwriter and bass player Leif Edling established in the past years: epic world class doom metal that relies on slow mammoth riffing. With Johan Langquist`s highly dramatic vocal style and the love for details, the band made this album to the next "Epicus".


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The Door to Doom is the twelfth studio album by Swedish doom metal band Candlemass, released on 22 February 2019 via Napalm. [1]


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When it comes down to it, The Door to Doom is a good album that nobody would've cared about if Candlemass had released it without Langquist's involvement. Such a sentiment speaks more to fair-weather listeners than the album's actual quality, but it would've been great to see a widened scope for such a glorious return.


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Ultimately, The Door To Doom left a horribly sour taste in my mouth, and it breaks my dark heart to say that. The musicianship remains topnotch, and the performances are spot on, but the overall feel is that of stagnation. There is a notable absence of musical dynamism here. Candlemass ' works now preserved in time are not accurately.


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Release Date: February 22nd, 2019 Genre: Doom Metal Band-Members: Johan Längqvist / vocals Mats "Mappe" Björkman / rhythm guitar Lars Johansson / lead guitar Leif Edling / bass Jan Lindh / drums "The Door to Doom" Track-Listing: Splendor Demon Majesty Under the Ocean Astorolus - The Great Octopus" (featuring Tony Iommi) Bridge of the Blind


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Candlemass' new album The Door To Doom is a masterclass in epic metal Doom metal pioneers Candlemass enlist Tony Iommi and their original singer on stellar new album By Dom Lawson ( Metal Hammer ) published 22 February 2019 (Image: © Linda Åkerberg) You can trust Louder Our experienced team has worked for some of the biggest brands in music.


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Sad to say, The Door to Doom is a rather workmanlike doom album. It doesn't put Candlemass back on the map in a forceful way nor show them capable of recreating the power and glory of their skull salad days. Had this been released by some young unknown act, I would write it off as talented Candlemass worship lacking in song writing chops.


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The Door to Doom is the twelfth studio album by Swedish doom metal band Candlemass, released on 22 February 2019 via Napalm. It is the band's first full-length studio album since 2012's Psalms for the Dead, marking their longest gap between studio albums, and the first one to feature vocalist Johan Längqvist since 1986's Epicus Doomicus Metallicus. Loudwire named it one of the 50 best metal.


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The Door to Doom won't be ranked among the classics of these Swedish titans (already quite a haul, lest we forget), but it should join the likes of 2009's Death Magic Doom and 2012's Psalms for the Dead as both entertaining and crushing, which seems a pretty reasonable outcome from where I'm sitting. In the studio, a very familiar line-up of four instrumentalists managed to combine.